Friday 31 October 2014

Horror Poetry and a Tale of Terror!

Happy Halloween to one and all.  Whether you're planning on dressing up and dancing around the sacred bonfire or you're out and about trick-or-treating with the kids, today is the perfect day for a bit of a scare.  So here as some of my favourite famous horror poems to get you in the mood and, at the end is a story which, for some reason, struck a chord with me.  I hope you enjoy them.

by Loren Zemlicka Photogrpahy

The Listeners by Walter de la Mare
'Is there anybody there?' said the Traveller,
   Knocking on the moonlit door;
And his horse in the silence champed the grasses
   Of the forest's ferny floor:
And a bird flew up out of the turret,
   Above the Traveller's head:
And he smote upon the door again a second time;
   'Is there anybody there?' he said.
But no one descended to the Traveller;
   No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
   Where he stood perplexed and still.
But only a host of phantom listeners
   That dwelt in the lone house then
Stood listening in the quiet of the moonlight
   To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
   That goes down to the empty hall,
Hearkening in an air stirred and shaken
   By the lonely Traveller's call.
And he felt in his heart their strangeness,
   Their stillness answering his cry,
While his horse moved, cropping the dark turf,
   'Neath the starred and leafy sky;
For he suddenly smote on the door, even
   Louder, and lifted his head: --
'Tell them I came, and no one answered,
   That I kept my word,' he said.
Never the least stir made the listeners,
   Though every word he spake
Fell echoing through the shadowiness of the still house
   From the one man left awake:
Ay, they heard his foot upon the stirrup,
   And the sound of iron on stone,
And how the silence surged softly backward,
   When the plunging hoofs were gone.



The Highwayman by Alfred Noyes

PART ONE

The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon the cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding --
    Riding-- riding --
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkly.  His boots were up to the thigh.
And he rode with a jewelled twinkle,
    His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
    Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable wicket creaked
Where Tim the ostler listened.  His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
    The landlord's red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say --

'One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
    Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way.'

He rose upright in the stirrups.  He scarce could reach her hand,
But she loosened her hair in the casement.  His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
    (O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

PART TWO

He did not come in the dawning.  He did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching --
    Marching -- marching --
King George's men came marching, up to the old inn-door.

They said no word to the landlord.  They drank his ale instead.
But they gagged his daughter, and bound her, to the foot of her narrow bed.
Two of them knelt at her casement, with muskets at their side!
They was death at every window;
    And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the muzzle beneath her breast!
'Now, keep good watch!' and they kissed her.  She heard the doomed man say --
Look for me by moonlight;
    Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years
Till, now, on the stroke of midnight,
    Cold, on the stroke of midnight,
The tip of one finger touched it!  The trigger at least was hers!

The tip of one finger touched it.  She strove no more for the rest.
Up, she stood up to attention, with the muzzle beneath her breast.
She would not risk their hearing' she would not strive again;
For the road lay bare in the moonlight;
    Blank and bare in the moonlight;
And the blood in her veins in the moonlight, throbbed to her love's refrain.

Tlot-tlot; tlot-tlot!  Had they heard it?  The horsehoofs ringing clear;
Tlot-tlot; tlot-tlot,in the distance?  Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding --
    Riding -- riding --
The red coats looked to their priming!  She stood u, straight and still.

Tlot-tlot, in the frosty silence!  Tlot-tlot, in the echoing night!
Nearer he came and nearer.  Her face was like a light.
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
    Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him -- with her death.

He turned.  He spurred to the west; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own blood!
Not till the dawn he heard it, and his face grew grey to hear
How Bess, the landlord's daughter,
    The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back he spurred like a madman, shouted a curse to the sky,
With the white road smoking behind him and his rapier brandished high.
Blood red were his spurs in the golden noon; wine-red was his velvet coat;
When the shot him down on the highway,
    Down like a dog on the highway,
And he lay in his blood on the highway, with a bunch of lace at his throat.
.    .    .

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding --
    Riding -- riding --
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard.
He taps with his whip on the shutters, but all is locked and barred.
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
    Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.



The Raven by Edgar Allan Poe

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
'Tis some visitor,' I muttered, 'tapping at my chamber door -
Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow - vainly I had sought to borrow
From my book surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless her for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me -filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
''Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door, -
This it is, and nothing more,'

Presently me soul grew stronger; hesitating then no longer,
'Sir,' said I, 'or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
That I scarce was sure I heard you' - here I opened wide the door -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, 'Lenore!'
This I whispered, and an echo murmured back the word, 'Lenore!'
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
'Surely,' said I, 'surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let me heart be still and moment and this mystery explore; -
'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
'Though thy crest be shorn and shave, thou,' I said, 'art sure no craven.
Ghastly, grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, 'Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning - little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast above the sculptered bust above his chamber door,
With such a name as 'Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered - not a feather then he fluttered -
Till I scarcely more than muttered 'Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, 'Nevermore.'

Startled at the stillness broken by reply so aptly spoken,
'Doubtless,' said, 'what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his hope that melancholy burden bore
Of 'Never-nevermore.''

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking 'Nevermore.'

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
'Wretch,' I cried, 'thy God hath lent thee - by these angels he has sent thee
Respite - respite and nepenthe from they memories of Lenore!
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'
Quoth the raven, 'Nevermore.'

'Prophet!' said I, 'thing of evil! - prophet still, if bird or devil! -
Whether tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
Is there - is there balm in Gilead? - tell me - tell me, I implore!'
Quoth the raven, 'Nevermore.'

'Prophet!' said I, 'thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden, whom the angels name Lenore?'
Quoth the raven, 'Nevermore.'

'Be that word our sign of parting, bird or fiend! I shrieked upstarting -
'Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! - quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!
Quoth the raven, 'Nevermore.'

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er streaming throws his shadow on the floor;
And my soul from out that shadow lies floating on the floor
Shall be lifted - nevermore!

The Germans are, without doubt, the kings of horror stories.  And so I would love to recount the following story which I found in a book called Legends of Terror!: And Tales of the Wonderful and the Wild, published in 1826.



The Spectre Bride or The Legend of Hernswolf
    from the German

The castle of Hernswolf, at the close of the year 1655, was the resort of fashion and gaiety.  The baron of that name was the most powerful nobleman in Germany, and equally celebrated for the patriotic achievements of his sons, and the beauty of his only daughter.  The estate of Hernswolf, which was situated in the centre of the Black Forest, had been given to one of his ancestors by the gratitude of the nation, and descended with other hereditary possessions to the family of the present owner.  It was a castellated, gothic mansion, built according to the fashion of the times, in the grandest style of architecture, and consisted principally of dark winding corridors, and vaulted tapestry rooms, but ill-suited to private comfort, from the very circumstance of their dreary magnitude.  A dark grove of pine and mountain ash encompassed the castle on every side, and threw an aspect of gloom around the scene, which was seldom enlivened by the cheering sunshine of heaven.
.    .    .
The castle bells rung out a merry peal at the approach of a winter twilight, and the warder was stationed with his retinue on the battlements, to announce the arrival of the company who were invited to share the amusements that reigned within the walls.  The Lady Clotilda, the baron's only daughter, had but just attained her seventeenth year, and a brilliant assembly was invited to celebrate the birth-day.  The large vaulted apartments were thrown open for the reception of the numerous guests, and the gaieties of the evening had scarcely commenced, when the clock from the dungeon tower was heard to strike with unusual solemnity, and on the instant a tall stranger, arrayed in a deep suit of black, made his appearance in the ballroom.  He bowed courteously on every side, but was received by all with the strictest reserve.  No one knew who he was or whence he came, but it was evident from his appearance, that he was a nobleman of the first rank, and though his introduction was accepted with distrust, he was treated by all with respect.  He addressed himself particularly to the daughter of the baron, and was so intelligent in his remarks, so lively in his sallies, and so fascinating in his address, that he quickly interested the feelings of his young and sensitive auditor.  In fine, after some hesitation on the part of the host, who, with the rest of the company, was unable to approach the stranger with indifference, he was requested to remain a few days at the castle, an invitation which was cheerfully accepted.

The dead of the night drew on, and when all had retired to rest, the dull heavy bell was heard swinging to and fro in the grey tower, though there was scarcely a breath to move the forest trees.  Many of the guests, when they met the next morning, at the breakfast table, averred that there had been sounds as of the most heavenly music, while all persisted in affirming  that they had heard awful noises, proceeding as it seemed, from the apartment which the stranger at that time occupied.  He soon, however, made his appearance at the breakfast circle, and when the circumstances of the preceding night were alluded to, a dark smile of unutterable meaning played round his saturnine features, and then relapsed into an expression of the deepest melancholy.  He addressed his conversation principally to Clotilda, and when he talked of different climes he had visited, of the sunny regions of Italy, where the very air breathes the fragrance of flowers and the summer breeze sighs over a land of sweets; when he spoke to her of those delicious countries, where the smile of the day sinks into the softer beauty of the night, and the loveliness of heaven is never for an instant obscured, he drew tears of regret from the bosom of his fair auditor, sad for the first time she regretted that she was yet at home.

Days rolled on, and every moment increased the fervour of the inexpressible sentiments with which the stranger had inspired her.  He never discoursed of love, but he looked it in his language, in his manner, in the insinuating tones of his voice, and in the slumbering softness of his smile, and when he found that he had succeeded in inspiring her with favourable sentiments towards him, a sneer of the most diabolical meaning spoke for an instant, and died again on his dark featured countenance.  When he met her in the company of her parents, he was at once respectful and submissive, and it was only when alone with her, in her rambles through the dark recesses of the forest, that he assumed the guise of the more impassioned admirer.

As he was sitting one evening with the baron in the wainscotted apartment of the library, the conversation happened to turn upon supernatural agency.  The stranger remained reserved and mysterious during the discussion, but when the baron in the jocular manner denied the existence of spirits, and satirically invoked their appearance, his eyes glowed with unearthly lustre, and his form seemed to dilate to more than its natural dimensions.  When the conversation had ceased, a fearful pause of a few seconds occurred, and a chorus of celestial harmony was heard pealing through the dark forest glade.  All were entranced with delight, but the stranger was disturbed and gloomy; he looked at his noble host with compassion, and something like a tear swam in his dark eye.  After the lapse of a few seconds, the music died gently in the distance, and all was hushed as before.  The baron soon after quitted the apartment, and was followed almost immediately by the stranger.  He had not long been absent, when an awful noise, as if a person in the agonies of death, was heard, and the Baron was discovered stretched dead along the corridors.  His countenance was convulsed with pain, and the gripe of a human hand was visible on his blackened throat.  The alarm was instantly given, the castle searched in every direction, but the stranger was seen no more.  The body of the baron, in the meantime, was quietly committed to the earth, and the remembrance of the dreadful transaction, recalled but as a thing that once was .
.    .    .
After the departure of the stranger, who had indeed fascinated her very senses, the spirits of the gentle Clotilda evidently declined.  She loved to walk early and late in the walks that he had once frequented, to recall his last words; to dwell on his honied smile; and wander to the spot where she had once discoursed with him of love.  She avoided all society, and never seemed to be happy but when left alone in the solitude of her chamber.  It was then that she gave vent to her affliction in tears; and the love that the pride of maiden modesty concealed in public, burst forth in the hours of privacy.  So beauteous, yet so resigned was the fair mourner, that she seemed already an angel freed from the trammels of the world, and prepared to take flight to heaven.

As she was one summer evening rambling to the sequestered spot that had been selected as her favourite residence, a slow step advanced towards her.  She turned round, and to her infinite suprise discovered the stranger.  He stepped gaily to her side, and commenced an animated conversation.  'You left me,' exclaimed the delighted girl; 'and I thought all happiness was fled from me forever; but you return, and shall we not again be happy?' --- 'Happy,' replied the stranger, with scornful burst of derision, 'Can I ever be happy again - can the - but excuse the agitation, my love, and impute it to the pleasure I experience at our meeting.  Oh!  I have many things to tell you; aye! and many kind words to receive; is it not so, sweet one?  Come, tell me truly, have you been happy in my absence?  No!  I see in that sunken eye, in that pallid cheek, that the poor wanderer has at least gained some slight interest in the heart of his beloved.  I have roamed to other climes, I have seen other nations; I have met with other females, beautiful and accomplished, but I have met with but one angel, and she is here before me.  Accept this simple offering of my affection, dearest,' continued the stranger, plucking a heath-rose from its stem; 'it is beautiful as the wild flowers that deck thy hair, and sweet as is the love I bear thee.'  'It is sweet, indeed,' replied Clotilda, 'but its sweetness must wither ere night closes around.  It is beautiful, but its beauty is short-lived, as the love evinced by man.  Let not this, then, be the type of thy attachment; bring me the delicate evergreen, the sweet flower that blossoms throughout the year; and I will say, as I wreathe it in my hair, 'The violets have bloomed and died - the roses have flourished and decayed; but the evergreen is still still young, and so is the love of my wanderer. Friend of my heart ! —you will not — cannot desert me.  I live but in you; you are my hopes, my thoughts, my existence itself: and if I lose you, I love my all - I was but a solitary wild flower in the wilderness of nature, until you transplanted me to a more genial soil; and can you now break the fond heart you first taught to glow with passion?' -- 'Speak not thus,' returned the stranger, 'it rends my very soul to hear you; - leave me - forget me - avoid me forever - or your eternal ruin must ensue.  I am a thing abandoned of God and man - and did you but see the seared heart that scarcely beats within this moving mass of deformity, you would flee me, as you would an adder in your path.  Here is my heart, love, feel how cold it is; there is no pulse that betrays its emotion; for all is chilled and dead as the friends I once knew.' -- 'You are unhappy, love, and your poor Clotilda shall stay to succour you.  Think not I can abandon you in your misfortunes.  No!  I will wander with thee through the wide world, and be thy servant, thy slave, if thou wilt have it so.  I will shield thee from the night winds, that they blow not too roughly on thy unprotected head.  I will defend thee from the tempest that howls around; and though the cold world may devote thy name to scorn - though friends may fall off, and associates wither in the grave, there shall be one fond heart who shall love thee better in thy misfortune, and cherish thee, bless thee still.'  She ceased, and her blue eye swam in tears, as she turned it glistening with affection towards the stranger.  He averted his head from her gaze, and a scornful sneer of the darkest, the deadliest malice passed over his fine countenance.  In an instant, the expression subsided; his fixed glassy eye resumed its unearthly chillness, and he turned once again to his companion.  'It is the hour of sunset,' he exclaimed; 'the soft, the beauteous hour, when the hearts of lovers are happy, and nature smiles in unison with their feelings ; but to me it will smile no longer. Ere the morrow dawns I shall be far; very far, from the home of my beloved — from the scenes where my heart is enshrined, as in a sepulchre. But must I leave thee, sweetest flower of the wilderness, to he the sport of the whirlwind, the prey of the mountain blast ?' — ' No, we will not part," replied the impassioned girl : ' where thou goest, will I go; thy home shall be my home; and thy God shall be my God,'-- 'Swear it,' resumed the stranger, wildly grasping her by the hand ; 'swear to the fearful oath I shall dictate." He then desired her to kneel, and holding his right hand in a menacing attitude towards heaven, and throwing back his dark raven locks, exclaimed, with the ghastly smile of an incarnate fiend, 'May the curses of an offended God, if such indeed there be," he continued, in a strain of the bitter imprecation, 'haunt thee, cling to thee forever - in the tempest and in the calm, in the day and in the night, in sickness and in sorrow, in life and in death, shouldst, thou swerve form the promise thou hast here made to be mine.  May thy soul be as the lazar-house of corruption, where the ghost of departed pleasure sits enshrined, as in a grave: where the hundred-headed worm never dies - where the fire is never extinguished.  May a spirit of evil lord it over thy brow, and proclaim, as thou passest by, 'THIS IS THE ABANDONED OF GOD AND MAN;' may fearful spectres haunt thee in the night season! may thy dearest friends drop day by day into the grave, and curse thee with their dying breath: may all that is most horrible in human nature, more solemn that language can frame, or lips can utter, may this, and more than this, be thy eternal portion shouldst thou violate the oath that thou hast taken.'  He ceased - hardly knowing what she did, the terrified girl acceded to the awful adjuration, and promised eternal fidelity to him who was henceforth to be her lord.  'Spirits of the damued, I thank thee for thine assistance,' shouted the stranger; 'I have wooed my fair bride bravely.  She is mine - mine forever. - Aye, body and soul both mine; mine in life, and mine in death.  What in tears my sweet one, 'ere yet the honey-moon is past?  Why! indeed thou hast cause for weeping: but when next we meet, we shall meet to sign the nuptial bond.'  He then imprinted a cold salute on the cheek of his young bride, and softening down the unutterable horrors of his countenance requested her to meet him at eight o'clock on the ensuing evening in the chapel adjoining to the castle of Hernswolf. She turned round to him with a burning sigh, as if to implore protection from himself, but the stranger was gone.

On entering the castle, she was observed to be impressed with deepest melancholy. Her relations vainly endeavoured to ascertain the cause of her uneasiness; but the tremendous oath she had sworn completely paralysed her faculties, and she was fearful of betraying herself by even the slightest intonation of her voice, or the least variable expression of her countenance. When the evening was concluded, the family retired to rest; but Clotilda, who was unable to take repose, from the restlessness of her disposition, requested to remain alone in the library that adjoined her apartment.

All was now deep midnight; every domestic had long since retired to rest, and the only sound that could be distinguished was the sullen howl of the ban-dog as he bayed, the waning moon Clotilda remained in the library in an attitude of deep meditation. The lamp that burnt on the table, where she sat, was dying away, and the lower end of the apartment was already more than half obscured. The clock from the northern angle of the castle tolled out the hour of twelve, and the sound echoed dismally in the solemn stillness of the night. Sudden the oaken door at the farther end of the room was gently lifted on its latch, and a bloodless figure, apparelled in the habiliments of the grave, advanced slowly up the apartment. No sound heralded its approach, as it moved with noiseless steps to the table where the lady was stationed. She did not at first perceive it, till she felt a death-cold hand fast grasped in her own, and heard a solemn voice whisper in her ear, 'Clotilda.' She looked up, a dark figure was standing beside her; she endeavoured to scream, but her voice was unequal to the exertion; her eye was fixed, as if by magic, on the form which, slowly removed the garb that concealed its countenance, and disclosed the livid eyes and skeleton shape of her father. It seemed to gaze on her with pity, an regret, and mournfully exclaimed - 'Clotilda, the dresses and the servants are ready, the church bell has tolled, and the priest is at the altar, but where is the affianced bride? There is room for her in the grave, and tomorrow shall she be with me.' -

'Tomorrow?' faltered out the distracted girl; 'the spirits of hell shall have registered it, and tomorrow must the bond be cancelled.' The figure ceased - slowly retired, and was soon lost in the obscurity of distance.

The morning - evening - arrived; and already as the hall clock struck eight, Clotilda was on her road to the chapel. It was a dark, gloomy night, thick masses of dun clouds sailed across the firmament, and the roar of the winter wind echoed awfully through the forest trees. She reached the appointed place; a figure was in waiting for her - it advanced - and discovered the features of the stranger. 'Why! this is well, my bride,' he exclaimed, with a sneer; 'and well will I repay thy fondness. Follow me.' They proceeded together in silence through the winding avenues of the chapel, until they reached the adjoining cemetery. Here they paused for an instant; and the stranger, in a softened tone, said, 'But one hour more, and the struggle will be over. And yet this heart of incarnate malice can feel, when it devotes so young, so pure a spirit to the grave. But it must - it must be,' he proceeded, as the memory of her past love rushed on her mind; 'for the fiend whom I obey has so willed it. Poor girl, I am leading thee indeed to our nuptials; but the priest will be death, thy parents the mouldering skeletons that rot in heaps around; and the witnesses to our union, the lazy worms that revel on the carious bones of the dead. Come, my young bride, the priest is impatient for his victim.' As they proceeded, a dim blue light moved swiftly before them, and displayed at the extremity of the churchyard the portals of a vault. It was open, and they entered it in silence. The hollow wind came rushing through the gloomy abode of the dead; and on every side were piled the mouldering remnants of coffins, which dropped piece by piece upon the damp mud. Every step they took was on a dead body; and the bleached bones rattled horribly beneath their feet. In the centre of the vault rose a heap of unburied skeletons, whereon was seated, a figure too awful even for the darkest imagination to conceive. As they approached it, the hollow vault rung with a hellish peal of laughter; and every mouldering corpse seemed endued with unholy life. The stranger paused, and as he grasped his victim in his hand, one sigh burst from his heart - one tear glistened in his eye. It was but for an instant; the figure frowned awfully at his vacillation, and waved his gaunt hand.

The stranger advanced; he made certain mystic circles in the air, uttered unearthly words, and paused in excess of terror. On a sudden he raised his voice and wildly exclaimed - 'Spouse of the spirit of darkness, a few moments are yet thine; that thou may'st know to whom thou hast consigned thyself. I am the undying spirit of the wretch who curst his Saviour on the cross. He looked at me in the closing hour of his existence, and that look hath not yet passed away, for I am curst above all on earth. I am eternally condemned to hell and I must cater for my master's taste till the world is parched as is a scroll, and the heavens and the earth have passed away. I am he of whom thou may'st have read, and of whose feats thou may'st have heard. A million souls has my master condemned me to ensnare, and then my penance is accomplished, and I may know the repose of the grave. Thou art the thousandth soul that I have damned. I saw thee in thine hour of purity, and I marked thee at once for my home. Thy father did I murder for his temerity, and permitted to warn thee of thy fate; and myself have I beguiled for thy simplicity. Ha! the spell works bravely, and thou shall soon see, my sweet one, to whom thou hast linked thine undying fortunes, for as long as the seasons shall move on their course of nature - as long as the lightning shall flash, and the thunders roll, thy penance shall be eternal. Look below! and see to what thou art destined.' She looked, the vault split in a thousand different directions; the earth yawned asunder; and the roar of mighty waters was heard. A living ocean of molten fire glowed in the abyss beneath her, and blending with the shrieks of the damned, and the triumphant shouts of the fiends, rendered horror more horrible than imagination. Ten millions of souls were writhing in the fiery flames, and as the boiling billows dashed them against the blackened rocks of adamant, they cursed with the blasphemies of despair; and each curse echoed in thunder cross the wave. The stranger rushed towards his victim. For an instant he held her over the burning vista, looked fondly in her face and wept as he were a child. This was but the impulse of a moment; again he grasped her in his arms, dashed her from him with fury; and as her last parting glance was cast in kindness on his face, shouted aloud, 'not mine is the crime, but the religion that thou professest; for is it not said that there is a fire of eternity prepared for the souls of the wicked; and hast not thou incurred its torments?' She, poor girl, heard not, heeded not the shouts of the blasphemer. Her delicate form bounded from rock to rock, over billow, and over foam; as she fell, the ocean lashed itself as it were in triumph to receive her soul, and as she sunk deep in the burning pit, ten thousand voices reverberated from the bottomless abyss, 'Spirit of evil! here indeed is an eternity of torments prepared for thee; for here the worm never dies, and the fire is never quenched.'



I really hope that you've enjoyed reading.  A Happy Halloween to all of you!

Sources
The Listeners and Other Poems by Walter de la Mare
The Highwayman by Alfred Noyes
Edgar Allan Poe: Complete Stories and Poems by Edgar Allan Poe
Legends of Terror!: And Tales of the Wonderful and the Wild: original and select: in prose and verse

Images
http://yesteryearsnews.wordpress.com/2010/10/30/the-haunted-house/
http://debsdustbunny.blogspot.co.uk/2013/04/horrible-history-song-dick-turpin.html
http://images.travelpod.com/tripwow/photos/ta-00bc-cf66-0a1f/this-castle-is-in-the-middle-of-the-black-forest-germany-germany+1152_12920341675-tpfil02aw-506.jpg
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ7sCt8BWhuknKff4OADGvUmeIKJqXAX9wiysZMKDXTkU922rAYEH4au8Z-sgiCLCa1p49qyzXWuUushf-punqSihgSFYWhlSvOuaBb8_KObpM8pNaJfabL3DQGRa5v4_ICglkbetXHNqr/s1600/10-31-2012b.jpg

Thursday 30 October 2014

Some of Kent's Ghosts

There are so many purportedly haunted places throughout the world.  The stories are endless. This year I thought I'd learn a little more about the ghost stories of my own county, Kent, in the UK.  Known as the Garden of England, Kent has a wealth of history and, according to some reports, more ghosts appear in Kent than anywhere else in the UK.  When you take into account that this is where you'll find Pluckley which was crowned the most haunted village in England in 1989 and still retains its crown today.

Pluckley, near Ashford has the title of the most haunted village in England and has 12 recorded ghosts, although some sources state there are up to 24 in residence.  St Nicholas' Church is said to be home to the spirit of Lady Dering who died hundreds of years ago.  In hope of preserving her body, Lord Dering buried his deceased wife in an airtight lead coffin encased in two lead coffins and further encased inside an oak coffin with a red rose at her breast.  This quadruple coffin was then buried in the Dering vault, below the Dering Chapel in the south-east part of the church.  The coffins, however, didn't stop her spirit from returning on certain nights, still dressed in the finery she was buried in, still holding the red rose.  There are some suggestions that the lady was as wicked as she was beautiful.
The Dering Chapel also plays host to strange lights seen in the upper half of the stained glass window.  A woman's voice can also be heard in the churchyard, and strange, unexplained knocking noises echo throughout the Dering Chapel at night.

St Nicholas' Church, Pluckley




Another Lady Dering, most often known as the White Lady, is said to haunt the ruins of Surrenden Dering.  Yet another member of the Dering family, referred to as the Red Lady, is believed to haunt the churchyard.  This wishful, sad spirit searches for the baby she once lost.  She is believed to be the wife of one of the Derings who were lords of the manor of Pluckley for centuries.  Popularly, her spirit wanders the churchyard at night, sobbing  and searching for her lost child.  Why she is referred to as the Red Lady is unknown.

Greystone house, just down the hill from St Nicholas' Church, is said to be haunted by a monk from the 16th century.  One story recounts how he was in love with the Lady of Rose Court, a nearby Tudor house.  A more popular story tells thast he was the confessor to the same lady during the time in which Roman Catholic religion was banned.  If this were the case, it is likely that the monk would have met a grisly end.  He has been seen at night as little more than a shadow figure reflected on the walls of some of the newer homes along the path where he and the lady may have walked.

Rose Court plays host to a former owner whose voice can often be heard calling her dogs as she so often did in life.  The house has records to show that it has been standing for 250 years, although the original deeds were lost in a fire.  Rose Court is believed to have been built 100 years earlier than the records show.  The lady's voice can usually be heard between 4pm and 5pm, which is when she died.

Opposite the Black Horse pub a schoolmaster once hanged himself, or was hanged.  In around 1920, Smarden's schoolmaster made weekly visits to Pluckley where he would meet with Pluckley's school headmaster, Henry Tuff.  They would meet at the Black Horse to drink and discuss philosophy.  However, the schoolmaster went missing one summer and, a couple of weeks later, Richard Buss, the then miller, discovered his body hanging from one of the trees which grew just below the mill.  Some believe he can still be seen dangling from the trees which no longer stand here, having long since been cut down.  However, there are no recorded sightings of his spirit.

The ghost of a gypsy, sometimes known as the Watercress Lady for how she once sold watercress at the crossroads, has been glimpsed by people in the autumn near the crossroads.  It is believed that she died when a spark from her pipe ignited the whiskey she was drinking.

There are many accounts of the highwayman in Pluckley.  Unfortunately, there are no records as to who he was.  However, according to one account, in the second half of the 18th century, a local highwayman was cornered by Bow Street Runners and was chased through Pluckley.  At the crossroads is the site of an old, hollow oak, where the highwayman is said to have hidden in hopes the Bow Street Runners would pass him by.  Unfortunately, his horse stopped to graze, alerting one of the Bow Street Runners to his location.  After searching the area, the Bow Street Runner noticed the hollow oak and, guessing that the highwayman was hiding inside, stabbed his sword through a knothole, piercing the highwayman through the heart.  Another account tells of a footpad who hide inside the hollow oak awaiting unsuspecting travellers who he would execute as they passed.  Word of the footpad spread and a traveller decided he wouldn't fall victim to the same trick  He approached the corner, acting as if he were unaware of the danger, until he reached the hollow oak were he swiftly thrust his sword into the hollow, killing the footpad hiding within.

Among the other ghosts haunting Pluckley are the phantom horse-drawn carriage which can be heard clattering down Forge Hill towards Maltman's Hill.  This coach has been seen travelling through the village on several occasions.  One couple, on their way home just after midnight after babysitting their granddaughter one October night, spotted the coach, light streaming from its windows, as it travelled up the hill away from them.  Sounds of a coach turning in the courtyard of a local hotel have also been reported.  In November 1997, at about 7pm, one person claimed that their car was suddenly filled with the sounds of horses hooves on cobble.  The main street was once cobbled.  It should, however, be noted that several residents drive a variety of horse-drawn vehicles in the area.

Park Wood, once an actual wood, although no longer, is home to the spirit of a colonel who hanged himself from one of the trees.  Nothing is known of the colonel except that his spirit can be seen briskly marching through the area.

The Screaming man is said to haunt the brickworks where he apparently met his end, falling to his death into one of the clay holes on site.  While there are no reported sightings of his ghost, nor any reports of this tragic accident, it is believed that his screams can still be heard as his death replays over and over again.

The Black Horse, Pluckley

The Black Horse, which started its life as a farmhouse, then a bailiff's house, now a pub, sees its occupants often complaining about lost items, especially clothing, which go missing for long stretches of time before reappearing.  Despite rigorous searches, the missing items cannot be found until, when almost all hope of them reappearing is itself lost, they suddenly turn up in locations where they could not possibly have been missed.  Some compare these instances to the presence of a poltergeist.

While Pluckley has the title of most haunted village it is, by no means, the only haunted location in Kent.

Bluebell Hill

Bluebell Hill has its own ghost.  Many sightings of this spirit have been reported.  In 1992, three separate motorists reported knocking down a girl who ran into the path of their cars late at night.  Others claim to have picked up a female hitchhiker, who subsequently disappears from the car.  Some believe this to be the spirit of Susan Browne,  a bride-to-be, whose car crashed on the A229 in November 1965, on the eve of her wedding.   Susan, with three of her friends, was returning home from her hen night when her car spun out of control and collided with a Jaguar travelling in the opposite direction.  One of the girls died instantly at the scene of the accident.  Two of the girls later died in hospital.  There are so many sightings of this spirit, it would take me forever to tell you all of them, so I'll settle for the best known.  In 1974, Maurice Goodenough reported having run down a young girl on Bluebell Hill.  He told the police that while the girl's injuries were minor, she was in need of medical attention, so he'd wrapped the girl in a tartan rug and left her beside the road to go for help.  The police accompanied Maurice back to the scene of the accident but the girl had vanished, leaving the tartan rug on the side of the road where Maurice had left the girl.  The police found no blood, no damage to the car and no trace of the victim.  On November 10th, 1992, a man called Ian Sharp had a similar experience.  The young girl appeared, ran towards his car and, just before she disappeared beneath his car, looked him right in the eyes.  Ian Sharp searched beneath his car and the surrounding area but could find no trace of her.  After reporting the accident to the police, another search was conducted, but to no avail.  Yet again, there was no trace of an accident or the girl.  There have also been reported incidents of a young female hitchhiker at the top of Bluebell hill.  The driver pulls over, the girl gets in and on they go.  Then, when the driver stops to let the girl out, she's already disappeared.

Canterbury Cathedral

Canterbury Cathedral, known for its history which can be traced back to the 12th century, has a few ghosts of its own, although it is by no means the only haunted building in Canterbury.  An Archbishop named Simon Sudbury was murdered - beheaded -  by the head of the Peasants revolt, Wat Tyler, in 1381.  A tower was named after him and Sudbury's ghost sometimes appears here.  Witnesses have described a pale man with a long, grey beard.  Despite his head and body having been buried in separate places, his ghost appears whole.

A passage, nicknamed the Dark Entry, is believed to be haunted by the ghost of Nell Cook, who was once a servant at the cathedral.  After witnessing an affair between her employer and a woman, Cook went into a rage and poisoned both her employer and his lover.  As punishment for the murder's she committed, Cook was buried alive in the Dark Entry.  She is most often seen on Friday evenings just after dusk.  According to legend, any that witness this spirit will meet their end soon after.

There are, of course, many, many more sightings, claims and reports of ghostly goings on in Kent, not to mention the surrounding area... the numerous spirits of Dover Castle... the plague victims of lost village of Dode... the spitfire of Biggin' Hill... the horseman of Eastwell Manor.  There are simply too many to list here.  This is but a taste.

http://greenbard.net/greenbard/Pluckley.html
http://unusual-encounters.blogspot.co.uk/2014/06/blue-bell-hill.html
http://www.roadghosts.com/blue%20bell%20hill.htm
http://www.kentonline.co.uk/maidstone/news/ghost-story-7879/
http://stevenatkinson93.wordpress.com/2010/09/04/blue-bell-hill-the-story-whats-your-views/
http://www.unexplainable.net/ghost-paranormal/the_haunted_canterbury_cathedral_4137.php
The A-Z of British Ghosts - Peter Underwood

Images
http://churchcrawler-kentchurches.blogspot.co.uk/2010/10/st-nicholas-pluckley.html
http://www.britainexpress.com/attractions.htm?attraction=3330
http://cdn5.hauntedrooms.co.uk/wp-content/uploads/2013/05/blue-bell-hill-a229.jpg
http://www.sagatiata.net/wp-content/uploads/2014/03/Canterbury_Canterbury_cathedral_01.jpg

Wednesday 29 October 2014

Halloween and Celebrations of the Dead - A History

Everyone has heard of Halloween.  A night for the children to dress up and go trick or treating.  However, this is not how it began.  Let us take a look at the origins of Halloween and the many other celebrations of the dead throughout the history of mankind.

Samhain

First celebrated in the form of a Celtic Fire festival in Europe around 2000 years ago, Samhain is now celebrated worldwide.  However, over the years it has changed and evolved.  Since ancient times October 31st has been celebrated in Ireland, Scotland and England as a feast of the dead and also marked the new year.  For the Scottish, the Gaelic word 'Samhain' (pronounced 'saw-win'/ saw-vane') simply means 'summer's end'.  In Europe it marks the beginning of winter, when flocks were brought in from the cold until spring and the last crop gathering, known as 'Harvest Home', was celebrated with festivals and fairs. 

According to the tenth-century Gaelic text Tochmarc Emire, Samhain is 'the first of the four quarter days in the medieval Irish calendar, ''when the summer goes to its rest.'''As well as a period of stock-taking and the reorganising of communities for the winter it was a period of supernatural intensity, 'when the forces of darkness and decay were said to be abroad, spilling out from the sidh...'  In order to ward off these spirits, the Irish invoked the help of gods through animal and, possibly, human sacrifice as well as building huge, symbolically regenerative bonfires.


At sunset on October 31st the formal celebrations of Samhain began by lighting a giant bonfire.  The clans and local villagers would gather around the fire to burn crops and animals as sacrifices to Celtic deities.  The sacred fires were also a method of cleansing of the past year and a way to prepare for the start of the new year.  During their celebrations, the Celts would wear costumes and dance around the bonfire, with many of these dances telling stories, commemorating the cycle of the Wheel of Life and playing out the cycles of life and death.

Costumes were worn for three primary reasons.  The first was to honour the dead that were allowed to rise from the Otherworld.  The Celts believed souls were released from the land of the dead on the night of Samhain, with those that were trapped in the bodies of animals being set free by the Lord of the Dead and sent to their new incarnations. Their costumes signified the release of these souls into the physical world.  The second reason was to hide from the souls which the Celts believed returned to destroy crops, hide livestock and 'haunt' the living that may have done wrong.  The third reason was to honour the Celtic Gods and Goddesses of the harvest, fields and flocks, to give thanks to those deities who assisted the people through the difficulties of the previous year and to ask for their favour during the coming year as well as the cold, harsh mothers of winter ahead. 



It was believed, and still is by many, to be a time when the veil between the worlds of the living and the dead was at its thinnest and was an opportunity for the spirits of the dead to join the living for a feast with their loved ones.  It was also believed that the Otherworld provided additional energy for communication between the living and the dead, and was a time for Druid Priests and Celtic Shamans to attempt to tell the fortunes of the people through various methods, such as throwing bones or casting the Celtic Ogham (a script from the 3rd or 4th centuries, sometimes known as the Ogham Script, the Irish Alphabet, of the Celtic Runes).

According to Roman writings, there were other methods, including the reading of tea leaves, rocks and twigs, as wells as what we would today call Channelling.  Some historians suggest that these early people were the first to use the precursor to Tarot Cards.

After the initial celebrations, each family would take a torch or burning ember from the sacred fire and return home.  The home fires would then be re lit with the flames of the sacred fire to protect both the home and those dwelling within.  These fires were kept lit throughout the winter, with the people believing that if the fire was lost, tragedy would soon follow.  Once lit, the family would put food and drink outside their doors to please those spirits which might play tricks on the family.

Some celebrate Samhain over several days and nights, with these days and nights being marked with ceremonies, feasts and gatherings of friends and family as well as the spiritual community.  In the northern hemisphere, Samhain is most often celebrated from sundown on October 31st and throughout the day of November 1st.  Others celebrate on the closest weekend or on the full or new moon closest to this time.  Others still observe the celebration closer to November 6th in order to coincide with the astronomical midpoint between the Autumn Equinox and the Winter Solstice.  In the southern hemisphere, Samhain is observed in the middle of Autumn, in late April and early May.

Then Came the Romans...

By 43AD, the Romans had conquered most of the Celtic territories, bringing with them their own festivals and traditions and merging several of them with the celebration of Samhain.  Feralia, a Roman festival for commemorating dead ancestors is believed by some  to be one of them.  However, according to the writings of Ovid, Feralia was the last day of the Roman festival Parentalia - a nine-day event beginning on February 13th and ending on February 21st.  On February 21st Roman citizens brought offerings to the tombs of their loved ones to honour them.  These offerings consisted of wreaths, grain, salt, violets and bread soaked in wine.  So it seems that the dates may have become confused or, perhaps, changed.  However, the concept is the same.  Ovid tells us that the Romans, in a time of war, failed to honour their dead and, as a consequence, the spirits of their ancestors rose from their graves and roamed around howling until the rituals were performed.

 Pomona

Pomona, or Pomorum, is another Roman festival which, according to some sources, falls on November 1st.  It was believed to be the time to honour Pomona, the Roman goddess of fruit trees, gardens, and orchards as wells as, according to some, the harvest.  She was also considered to be a wood nymph and one of the guardians who watched over people, places and homes.  Her names originates from the word apple, which is her symbol and we can find this symbol in the Samhain and Halloween when we go bobbing for apples.

Lemura is the third Roman festival to be blended with Samhain.  Celebrated in May, this ancient feast was a time for the Romans to exorcise malevolent spirits of the dead from their homes.  According to Ovid, the head of the household would walk barefoot around the house at midnight, throwing nine black beans over his should and chanting while the rest of the household clashed bronze pots.

From Samhain to Halloween

When looking at the origins of modern Halloween we must take into account the Christianization of the pagan celebration of Samhain.  Samhain became the Halloween we are now familiar with when Christian missionaries attempted to covert the religious practises of the Celtic people.  In an effort to effectively wipe out the 'pagan' faith, Christians had a huge impact in transforming the traditions of the ancient Celts.

In 601AD Pope Gregory I gave the edict that rather than destroying native peoples' traditions and beliefs, missionaries should use them to convert the people.  For example, if the people worshipped a tree the missionaries should consecrate it to Christ and allow the people to continue worshipping it rather than cutting it down.  This became the basic approach in all Catholic missionary work, with Church holy days purposely set to coincide with native days of celebration and worship.  For example, Christmas, said to be the celebration of the birth of Jesus (the birth date of Jesus is actually unknown), only really falls on December 25th because it corresponded with the Yule celebrations. 

With its emphasis on the supernatural, Samhain was very much Pagan and, as such, was branded by the Catholics as evil and associated with the devil.  Catholic missionaries attempted to diminish these beliefs, allowing the supernatural to persist whilst making the deliberate attempt to define them as being malicious.  Those that continued to follow the old ways were forced into hiding and were branded as witches.  The Christian feast of All Saints Day, a day to honour Christian saints,  was reassigned to November 1st and was an attempt to, in the long run, forever replace Samhain.  Unfortunately for the Church, Samhain never truly died.  The tradition was too strongly ingrained into belief  to be satisfied with this new Catholic tradition.  They tried again to substitute the belief in the 9th century with All Souls' Day, assigned to November 2nd.  While it gave the people a day to pray for the souls of the dead and allowed them to retain their traditional customs while attempting to redefine them, the traditional beliefs and customs lived on.

All Saints Day, also known as All Hallows (meaning sanctified of holy), allowed the ancient Celts to continue their traditions.  On All Hallows Eve, the people continued to celebrate the wandering dead, putting out gifts of food and drink to keep the now considered evil spirits at bay.  This night, in turn, became known as Halloween. 

Trick-or-Treat

The practise of trick-or-treating is believed to stem from two practises which were eventually combined.  The first is called 'mumming', a medieval practise where people would disguise themselves and go from door to door receiving offerings for a song, poem, joke or some other 'trick'.  The second was the tradition of leaving out food for the dead to gain their favour. 

A Quick Look at Other Celebrations of the Dead

The Festival of the Hungry Ghosts or Yue Lan is celebrated by the Chinese.  According to traditional Chinese belief, restless spirits roam the earth during the seventh month of the lunar calendar.   The festival is held on the 15th day, with the Chinese making efforts to please and give comfort to these restless spirits by giving them gifts.  The festival has its roots in the Chinese practise of ancestor worship and is celebrated by around 1.2 million people in Hong Kong for the entire seventh lunar month.  Here you can see the people offering sacrifices to their ancestors and wandering spirits, burning incense and joss paper, giving free rice and performing live Chinese operas.

 Festival of the Hungry Ghosts

The Bon Festival of Japan has been celebrated for over 500 years.  It is a three day long Buddhist custom, most commonly celebrated on August 15th, which involves fireworks, games, feasts and dances, including the Bon Odori which is meant to welcome the spirits.  The festival has its roots in a legend in which a man asked Buddha for help when, during meditation, he saw that his deceased mother was trapped and suffering in the realm of Hungry Ghosts.  Buddha told the man to pay homage to the monks that had just finished their summer meditation.  In doing so, the man saw the release of his mother and, overjoyed, broke into dance.

 Bon Festival

The Qingming festival, also known as Ancestors or Tomb-Sweeping Day, is a Chinese national holiday which takes place in mid-April.  It is a time for families to visit the tombs of their ancestors and to give them a good cleaning.  Offerings of food, tea and joss paper are also made.  The festival is said to date back to 732AD, from the reign of Tang emperor Xuanzong who declared that there were too many celebrations of ancestors and said that these should only fall on Qingming.

The Hindu tradition of Pitru Paksha, also known as the Fortnight of the Ancestors, is a 15 day period during the Hindu month of Ashwin where people remember their ancestors, particularly with offerings of food.  Hindu mythology tells us that when the soul of Karna, a deceased warrior, reached heaven he found nothing to eat but gold.  Karna asked the lord of heaven, Indra, where he could find food, but was told that he could only eat gold because he had never offered food to his ancestors when he was alive.  After much discussion, Karna was allowed to return to earth for 15 days to make offerings of food and water.  During the festival offerings are made, as well as daily death rituals which are completed by priests.  If the proper rituals are made and the proper offerings are received and accepted, it is said that the ancestors will bestow wealth, health and salvation on the people.

 El Dia de los Muerto

El Dia de los Muerto or Day of the Dead is, like All Saints' and All Souls' Day, observed on November 1st and 2nd.  It is most ofter celebrated in Mexico where it is a national holiday, but can also be seen in the Philippines and the U.S.  Day of the Dead has its origins in the month long Aztec harvest celebration overseen by the Lady of the Dead, Goddess Mixtecacihuatl.  It is probably one of the most recognisable celebrations of the dead due to the associated imagery of grinning skeletons which, unlike Halloween, are not meant to be frightening, with their intended perception being that of a grand celebration of the deceased.  During the festival you can see people wearing masks whilst feasting, singing and dancing.

Sources
http://www.bbc.co.uk/religion/religions/paganism/holydays/samhain.shtml
http://www.witchvox.com/va/dt_va.html?a=usma&c=holidays&id=2204
https://www.circlesanctuary.org/index.php/celebrating-the-seasons/celebrating-samhain
http://www.paganspath.com/magik/celtic/ogham.htm
http://www.rannsiracusa.com/blog/feralia-and-the-origins-of-halloween
http://www.discoverhongkong.com/uk/see-do/events-festivals/chinese-festivals/the-hungry-ghost-festival.jsp
http://listverse.com/2013/01/19/10-festivals-that-honor-the-dead/
Halloween: From Pagan Ritual to Party Night by Nicholas Rogers

Images
http://www.kateforsyth.com.au/kates-blog/tag/Celtic_lore/
http://thewildgeese.com/profiles/blogs/it-s-a-celtic-feast
http://en.wikipedia.org/wiki/Pomona
http://online.wsj.com/articles/SB10001424127887324747104579023861625197646
http://vanheb.wordpress.com/tag/bon-festival/
http://remezcla.com/lists/10-cant-miss-halloween-dia-de-muertos-parties-los-angeles/